Résumé de l'épisode
How do you take the songs of one of Canada’s most beloved bands and weave them into a story about exile, identity and starting over? Creators and performers Ahmed Moneka and Jesse LaVercombe join Tom Power to talk about their new musical, It’s a Good Life If You Don’t Weaken, inspired by the iconic music of The Tragically Hip. Set in 2002 in The Hip’s hometown of Kingston, Ont., the show follows an exiled Iraqi journalist who’s rebuilding his life in Canada. Ahmed and Jesse discuss the creative weight of representing Gord Downie’s legacy on the stage, their unlikely creative partnership, and how their own life journeys worked their way into the musical.
How do you take the songs of one of Canada’s most beloved bands and weave them into a story about exile, identity and starting over? Creators and performers Ahmed Moneka and Jesse LaVercombe join Tom Power to talk about their new musical, It’s a Good Life If You Don’t Weaken, inspired by the iconic music of The Tragically Hip. Set in 2002 in The Hip’s hometown of Kingston, Ont., the show follows an exiled Iraqi journalist who’s rebuilding his life in Canada. Ahmed and Jesse discuss the creative weight of representing Gord Downie’s legacy on the stage, their unlikely creative partnership, and how their own life journeys worked their way into the musical.
Épisodes
The pressure of making The Tragically Hip musical
ÉcoutéHow do you take the songs of one of Canada’s most beloved bands and weave them into a story about exile, identity and starting over? Creators and performers Ahmed Moneka and Jesse LaVercombe join Tom Power to talk about their new musical, It’s a Good Life If You Don’t Weaken, inspired by the iconic music of The Tragically Hip. Set in 2002 in The Hip’s hometown of Kingston, Ont., the show follows an exiled Iraqi journalist who’s rebuilding his life in Canada. Ahmed and Jesse discuss the creative weight of representing Gord Downie’s legacy on the stage, their unlikely creative partnership, and how their own life journeys worked their way into the musical.
Diego Luna on the absence that shaped his career
ÉcoutéDiego Luna (Rogue One, Y Tu Mamá También) has been acting since he was a child, starting out in Mexican cinema before taking on Hollywood blockbusters and some of television’s biggest shows. This year, he returned to the Toronto International Film Festival as a director with his latest film, Ashes. Diego sits down with Tom Power in the Q studio to talk about the choices that have shaped his career, what it was like coming face-to-face with Darth Vader on the set of Rogue One, and what he’s still searching for as a storyteller.
Karine Vanasse on the real-world impact of the film Polytechnique
ÉcoutéLong before she stepped into her role as the intimidating, impeccably dressed host of The Traitors Canada and Les Traîtres, Karine Vanasse co-produced and starred in Polytechnique. Directed by Denis Villeneuve, the harrowing film fundamentally changed the national conversation around the 1989 École Polytechnique massacre, cementing it as an act of gender-based violence. Karine joins Tom Power to reflect on the fraught making of the film, its lasting real-world impact and why she ignored a teacher’s advice to quit acting.
‘Death looks after itself and I would take care of life’
ÉcoutéTracey Emin is one of Britain’s most provocative artists. She’s known for turning sex, trauma and heartbreak into boundary-breaking art. But after surviving aggressive bladder cancer and major surgery in 2020, her relationship with her body — and her art — fundamentally shifted. Spanning nearly 40 years of work from My Bed to her latest paintings, her retrospective, A Second Life, marks a profound new chapter. Tracey joins guest host Gill Deacon to talk about survival, healing through art and what it means to get a second shot at life.
Emily Hampshire thinks we need to take having fun more seriously
ÉcoutéAs a kid in Montreal, Emily Hampshire (Schitt's Creek) was so self-conscious about performing that she’d only sing and dance inside her closet. She’s since gone on to become a six-time Canadian Screen Award winner best known for her role as Stevie Budd on the hit CBC comedy series Schitt’s Creek. Now, she’s joining the Marvel Cinematic Universe in the new series VisionQuest, playing an AI avatar tasked with teaching an android superhero about fun. Emily stops by the Q studio to talk about her new role, growing up as a theatre kid, and why she thinks Canadian storytelling is having such a massive global moment right now.